{"id":4546,"date":"2024-08-09T00:20:34","date_gmt":"2024-08-08T22:20:34","guid":{"rendered":"https:\/\/nudeartworkshops.com\/?p=4546"},"modified":"2025-09-21T22:45:20","modified_gmt":"2025-09-21T20:45:20","slug":"moda-ve-cazi%cc%87beni%cc%87n-nu-sanat-fotografciligi-uzeri%cc%87ndeki%cc%87-etki%cc%87si%cc%87-1950ler-1970ler-daha-deri%cc%87n-bi%cc%87r-bakis","status":"publish","type":"post","link":"https:\/\/nudeartworkshops.com\/tr\/the-fashion-and-glamour-influence-on-nude-art-photography-1950s-1970s-a-deeper-dive\/","title":{"rendered":"Moda ve Cazibe \u00c7\u0131plak Foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 Nas\u0131l \u015eekillendirdi (1950'ler-1970'ler)"},"content":{"rendered":"

Parlak Devrim: Moda ve Cazibe \u00c7\u0131plak Foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 Nas\u0131l \u015eekillendirdi (1950'ler-1970'ler)<\/h1>\n

1950'ler ve 1970'ler aras\u0131ndaki d\u00f6nem yeni ve g\u00fc\u00e7l\u00fc bir g\u00fc\u00e7 taraf\u0131ndan y\u00f6nlendirildi: t\u00fcketim k\u00fclt\u00fcr\u00fc. Bat\u0131'da sava\u015f sonras\u0131 ya\u015fanan ekonomik patlama, a\u015fa\u011f\u0131daki gibi kitlesel pazar dergilerinin ortaya \u00e7\u0131kmas\u0131na neden oldu Vogue<\/em>, Harper's Bazaar<\/em>ve yeni ba\u015flat\u0131lan Playboy<\/em>benzeri g\u00f6r\u00fclmemi\u015f bir etkiye sahipti. Devasa b\u00fct\u00e7eleri ve geni\u015f izleyici kitleleriyle bu yay\u0131nlar, foto\u011fraf\u0131n yeni patronlar\u0131 haline geldi ve sanat\u00e7\u0131lar\u0131 sadece g\u00fczel de\u011fil ayn\u0131 zamanda k\u0131\u015fk\u0131rt\u0131c\u0131, arzu uyand\u0131ran ve hepsinden \u00f6nemlisi arzulanan g\u00f6r\u00fcnt\u00fcler yaratmalar\u0131 i\u00e7in g\u00f6revlendirdi. Bu dinamik ortam moda, cazibe ve g\u00fczel sanatlar aras\u0131ndaki \u00e7izgilerin tamamen \u00e7\u00f6z\u00fclmesine neden oldu ve cesur, ticari olarak y\u00fckl\u00fc ve a\u00e7\u0131k bir \u015fekilde cinsel bir tarz yaratt\u0131. moda \u00e7\u0131plak foto\u011fraf\u00e7\u0131l\u0131k<\/strong> Bir d\u00f6nemi tan\u0131mlayan ve bug\u00fcn bizi etkilemeye devam eden.<\/p>\n

K\u00fclt\u00fcrel Ba\u011flam: Ak\u0131\u015fkan Bir D\u00fcnya<\/h2>\n

Bu foto\u011frafik devrim bir bo\u015flukta ger\u00e7ekle\u015fmedi. Muazzam sosyal de\u011fi\u015fimin do\u011frudan bir \u00fcr\u00fcn\u00fcyd\u00fc. Sava\u015f sonras\u0131 refah, harcanabilir gelire sahip yeni bir orta s\u0131n\u0131f yaratarak l\u00fcks ve ihti\u015fam arzusunu k\u00f6r\u00fckledi. 1960'larda do\u011fum kontrol hap\u0131n\u0131n geli\u015ftirilmesi, cinsel devrim i\u00e7in bir kataliz\u00f6r oldu ve ilk kez pop\u00fcler hayal g\u00fcc\u00fcnde seks ile \u00fcremeyi birbirinden ay\u0131rd\u0131. Bu sismik de\u011fi\u015fim, geleneksel adetlere meydan okudu ve cinselli\u011fin daha a\u00e7\u0131k ve d\u00fcr\u00fcst bir \u015fekilde tart\u0131\u015f\u0131lmas\u0131 i\u00e7in bir i\u015ftah yaratt\u0131; bu foto\u011fraf\u00e7\u0131lar\u0131n ve dergilerin doldurmak i\u00e7in m\u00fckemmel bir \u015fekilde konumland\u0131\u011f\u0131 bir ni\u015f. \u00c7al\u0131\u015fmalar\u0131, de\u011fi\u015fen zamanlar\u0131n hem bir yans\u0131mas\u0131 hem de bir kataliz\u00f6r\u00fcyd\u00fc.<\/p>\n

Helmut Newton (1920-2004): \"Porno \u015e\u0131kl\u0131\u011f\u0131 \"n\u0131n Ustas\u0131<\/h2>\n
\"Foto\u011fraf\u00e7\u0131

Helmut Newton<\/p><\/div>\n

Hi\u00e7bir foto\u011fraf\u00e7\u0131 bu d\u00f6nemi Helmut Newton kadar iyi temsil edemez. \u00c7al\u0131\u015fmalar\u0131, y\u00fcksek moday\u0131 c\u00fcretk\u00e2r, erotik ve \u00e7o\u011fu zaman tedirgin edici anlat\u0131larla harmanlama konusunda bir ustal\u0131k s\u0131n\u0131f\u0131yd\u0131. Onun kad\u0131nlar\u0131 asla pasif arzu nesneleri de\u011fildi; onlar g\u00fc\u00e7l\u00fc, korkutucu, Amazon fig\u00fcrleriydi ve \u00e7o\u011fu zaman l\u00fcks, sinematik ortamlarda tasvir edilen bu fig\u00fcrler kontrol\u00fcn kay\u0131ts\u0131z \u015farts\u0131z ellerinde oldu\u011funu g\u00f6steriyordu. \"Porno \u015f\u0131kl\u0131\u011f\u0131\" terimi, pornografinin a\u00e7\u0131k s\u00f6zl\u00fcl\u00fc\u011f\u00fcn\u00fc \u00f6d\u00fcn\u00e7 alan ancak bunu y\u00fcksek modan\u0131n b\u00fct\u00e7eleri, stilleri ve yapayl\u0131\u011f\u0131yla y\u00fckselten esteti\u011fini tan\u0131mlamak i\u00e7in icat edildi.<\/p>\n

Newtoncu Kad\u0131n: G\u00fc\u00e7, Androjenlik ve R\u00f6ntgencilik<\/h3>\n

Newton'un \u00fcnl\u00fc diptik tablosu, \"Sie Kommen\" (Geliyorlar, 1981)<\/strong>felsefesinin m\u00fckemmel bir dam\u0131t\u0131lm\u0131\u015f halidir. Moda, iktidar ve beden aras\u0131ndaki ili\u015fkiyle do\u011frudan y\u00fczle\u015fir; d\u00f6rt modelin \u00f6nce iktidar giysileri i\u00e7inde, sonra da tamamen \u00e7\u0131plak olarak \u00f6ne do\u011fru y\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fc g\u00f6sterir. \u0130fade a\u00e7\u0131kt\u0131r: Newton'\u0131n kad\u0131nlar\u0131 i\u00e7in giyim ve \u00e7\u0131plakl\u0131k iktidar\u0131n \u00fcniformalar\u0131d\u0131r. Benzer \u015fekilde, onun \"B\u00fcy\u00fck \u00c7\u0131plaklar\"<\/strong> Alman adli polis foto\u011fraflar\u0131n\u0131n keskin esteti\u011finden esinlenen seri, kad\u0131n formunu an\u0131tsal ve y\u00fczle\u015ftirici olarak sunarak modeli izleyiciye tepeden bakan bir ikona d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n

\"Helmut

Helmut Newton'dan \"Sie Kommen\"<\/p><\/div>\n

Richard Avedon (1923-2004): Minimalist Bak\u0131\u015f<\/h2>\n
\"Foto\u011fraf\u00e7\u0131

Richard Avedon<\/p><\/div>\n

Newton sinematik d\u00fcnyalar in\u015fa ederken, Richard Avedon onlar\u0131 soydu. \u00d6ncelikle bir moda ve portre foto\u011fraf\u00e7\u0131s\u0131 olan Avedon, \u00e7\u0131plakl\u0131\u011fa minimalist bir g\u00fc\u00e7 getirdi. \u0130mzas\u0131 niteli\u011findeki bembeyaz arka plan\u0131 kullanarak t\u00fcm ba\u011flam\u0131 ortadan kald\u0131rm\u0131\u015f, izleyici ile \u00f6zne aras\u0131nda do\u011frudan ve samimi bir y\u00fczle\u015fmeye zorlam\u0131\u015ft\u0131r. N\u00fcleri erotizmden ziyade objektifinin kar\u015f\u0131s\u0131ndaki ki\u015finin k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131, bireyselli\u011fini ve temel karakterini ortaya \u00e7\u0131karmakla ilgilidir.<\/p>\n

Laboratuvar Olarak St\u00fcdyo: Ba\u011flam \u00dczerinden Karakter<\/h3>\n

Avedon'un beyaz arka plan\u0131 psikolojik bir tuval i\u015flevi g\u00f6r\u00fcyordu. \u00d6znelerini her t\u00fcrl\u00fc ortamdan izole ederek, onlar\u0131n karakterleri hakk\u0131nda daha derin bir ger\u00e7e\u011fi yakalayabilece\u011fine inan\u0131yordu. 1981 tarihli ikonik foto\u011fraf\u0131, \"Nastassja Kinski ve Y\u0131lan,\"<\/strong> bunu m\u00fckemmel bir \u015fekilde g\u00f6sterir. Sarmal y\u0131lan, Kinski'nin v\u00fccudunun k\u0131vr\u0131mlar\u0131n\u0131 yans\u0131tmakta ve vurgulamakta, ba\u015ftan \u00e7\u0131karma, tehlike ve ilkel g\u00fczelli\u011fin g\u00fc\u00e7l\u00fc bir sembol\u00fcn\u00fc yaratmaktad\u0131r. Sadece bir beden, bir dekor ve bo\u015f bir duvar kullanarak b\u00f6ylesine zengin, mitolojik bir anlat\u0131 yaratabilmesi Avedon'un dehas\u0131n\u0131n bir kan\u0131t\u0131d\u0131r.<\/p>\n

\"Nastassja

Richard Avedon'dan \"Nastassja Kinski ve Y\u0131lan\"<\/p><\/div>\n

Sam Haskins (1926-2009): Grafik Yenilik\u00e7isi<\/h2>\n
\"Foto\u011fraf\u00e7\u0131

Sam Haskins<\/p><\/div>\n

Sam Haskins \u00e7\u0131plakl\u0131\u011fa e\u011flenceli, grafik ve son derece yenilik\u00e7i bir duyarl\u0131l\u0131k getirdi. Newton'\u0131n sinematik ve Avedon'\u0131n minimalist oldu\u011fu yerde, Haskins bir hikaye anlat\u0131c\u0131s\u0131yd\u0131. \u00c7\u0131\u011f\u0131r a\u00e7an foto\u011fraf kitaplar\u0131 sadece g\u00f6r\u00fcnt\u00fc koleksiyonlar\u0131 de\u011fil, anlat\u0131ya dayal\u0131 foto-romanlard\u0131. Y\u00fcksek kontrastl\u0131 bask\u0131, yarat\u0131c\u0131 k\u0131rpma, gren ve \u00e7oklu pozlama kullanarak geleneksel, statik n\u00fc foto\u011fraflardan \u00e7ok farkl\u0131, dinamik ve taze bir g\u00f6rsel stil yaratt\u0131.<\/p>\n

Tek G\u00f6r\u00fcnt\u00fcn\u00fcn \u00d6tesinde: Foto-Roman\u0131n Y\u00fckseli\u015fi<\/h3>\n

\u00dcnl\u00fc kitab\u0131 \"Kovboy Kate ve Di\u011fer Hikayeler\" (1964)<\/strong> on y\u0131llar boyunca moda ba\u015fyaz\u0131lar\u0131n\u0131 etkileyen, s\u0131ral\u0131 g\u00f6rsel hikaye anlat\u0131m\u0131n\u0131n \u00f6nc\u00fc bir \u00e7al\u0131\u015fmas\u0131yd\u0131. Bu g\u00f6r\u00fcnt\u00fc \"Kas\u0131m K\u0131z\u0131\"<\/strong> A\u015fa\u011f\u0131da, bir elman\u0131n e\u011flenceli kullan\u0131m\u0131yla Haskins'in yakla\u015f\u0131m\u0131 karakteristiktir: \u015fehvetli ve g\u00fczel, ama ayn\u0131 zamanda esprili, b\u00fcy\u00fcleyici ve 1960'lar\u0131n iyimserli\u011fini m\u00fckemmel bir \u015fekilde yakalayan ne\u015feli, \u00f6zg\u00fcr bir ruhla dolu.<\/p>\n

\"Sam

Sam Haskins'in \"Kovboy Kate ve Di\u011fer Hikayeler\" kitab\u0131ndan<\/p><\/div>\n

\"Sam

Sam Haskins'in \"November Girl\" adl\u0131 eserinden<\/p><\/div><\/p>\n

Bir D\u00f6nemin Tarih\u00e7ileri: Di\u011fer Etkili Ki\u015filer<\/h2>\n

Ba\u015fl\u0131ca mimarlar\u0131n yan\u0131 s\u0131ra, bir dizi ba\u015fka yetenekli foto\u011fraf\u00e7\u0131 da \u00e7a\u011f\u0131n ruhunu yakalam\u0131\u015f ve tan\u0131mlam\u0131\u015ft\u0131r.<\/p>\n

Jeanloup Sieff (1933-2000): Zarif Bak\u0131\u015flar<\/h3>\n

Jeanloup Sieff zarif, \u00e7o\u011fu zaman tuhaf ve belirgin bir \u015fekilde Avrupal\u0131 yakla\u015f\u0131m\u0131yla tan\u0131n\u0131yordu. \u0130nsan formunu uzatmak ve \u00e7arp\u0131tmak i\u00e7in s\u0131kl\u0131kla geni\u015f a\u00e7\u0131l\u0131 lensler kulland\u0131, derin g\u00f6lgeler ve keskin vurgularla oynayan zarif ve dramatik kompozisyonlar yaratt\u0131. Moda tasar\u0131mc\u0131s\u0131n\u0131n 1971 tarihli g\u00fc\u00e7l\u00fc ve tart\u0131\u015fmal\u0131 \u00e7\u0131plak portresi Yves Saint-Laurent<\/strong> kendi parf\u00fcm kampanyas\u0131 i\u00e7in toplumsal cinsiyet normlar\u0131na meydan okuyan ve y\u00fcksek moda, \u015f\u00f6hret ve g\u00fczel sanatlar d\u00fcnyalar\u0131n\u0131 m\u00fckemmel bir \u015fekilde birle\u015ftiren bir d\u00f6n\u00fcm noktas\u0131yd\u0131.<\/p>\n

\"Jeanloup

Jeanloup Sieff taraf\u0131ndan Yves Saint-Laurent<\/p><\/div>\n

Guy Bourdin (1928-1991): S\u00fcrrealizm, Feti\u015f ve Kadercilik<\/h3>\n

Man Ray'in \u00f6\u011frencisi olan Guy Bourdin, Frans\u0131z *Vogue* ve Charles Jourdan ayakkab\u0131lar\u0131 i\u00e7in yapt\u0131\u011f\u0131 moda \u00e7al\u0131\u015fmalar\u0131na s\u00fcrrealist, k\u0131\u015fk\u0131rt\u0131c\u0131 ve \u00e7o\u011fu zaman tedirgin edici bir vizyon getirdi. Karma\u015f\u0131k, gizemli ve zengin renklere sahip anlat\u0131lar yaratt\u0131; bu anlat\u0131larda insan formu - \u00e7\u0131plak ya da giyinik - tuhaf ve bazen de u\u011fursuz bir hik\u00e2yenin yaln\u0131zca bir \u00f6\u011fesiydi. \u00c7al\u0131\u015fmalar\u0131, genellikle bacaklara ve ayakkab\u0131lara odaklanan feti\u015fist imgeleri ara\u015ft\u0131rd\u0131 ve ticari foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 psikolojik gerilim alan\u0131na iterek yakla\u015fan bir drama veya g\u00f6r\u00fcnmeyen bir tehlike duygusuyla doluydu.<\/p>\n

\"Frans\u0131z

Guy Bourdin<\/p><\/div>\n

Bert Stern (1929-2013): Son Oturma<\/h3>\n

Bert Stern'in Marilyn Monroe ile \u00f6l\u00fcm\u00fcnden sadece alt\u0131 hafta \u00f6nce *Vogue* i\u00e7in \u00e7ekti\u011fi efsanevi foto\u011fraf \u00e7ekimi k\u00fclt\u00fcrel bir mihenk ta\u015f\u0131 haline gelmi\u015ftir. \"The Last Sitting\", ham bir k\u0131r\u0131lganl\u0131\u011f\u0131 yakalayan bir dizi samimi giyinik ve \u00e7\u0131plak portre i\u00e7eriyor. Monroe'nun yar\u0131 \u015feffaf bir e\u015farpla \u00e7ekilen \u00fcnl\u00fc g\u00f6r\u00fcnt\u00fcs\u00fc, son derece dokunakl\u0131 bir k\u0131r\u0131lganl\u0131k ve yorgunluk ortaya koyuyor ve halk\u0131n ikonik y\u0131ld\u0131za dair haf\u0131zas\u0131n\u0131 sonsuza dek g\u00fczel ama trajik bir fig\u00fcr olarak \u015fekillendiriyor.<\/p>\n

\"Bert

Bert Stern'in \"The Last Sitting\" adl\u0131 eserinden<\/p><\/div>\n

\"Altm\u0131\u015fl\u0131 Y\u0131llar\u0131n Sal\u0131n\u0131m\u0131n\u0131\" Yakalamak: David Bailey ve Peter Knapp<\/h3>\n

David Bailey (1938-)<\/strong> \"Swinging London \"\u0131n merkezi fig\u00fcrlerinden biriydi ve moda foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131na do\u011frudan, enerjik ve d\u00fczen kar\u015f\u0131t\u0131 bir hava getirdi. \u00c7al\u0131\u015fmalar\u0131 on y\u0131l\u0131n \u00f6zg\u00fcr ruhlu tavr\u0131n\u0131 yans\u0131t\u0131yordu. Elle* dergisinin sanat y\u00f6netmeni olarak, Peter Knapp (1931-)<\/strong> modaya devrimci, modern ve grafik bir duyarl\u0131l\u0131k getirdi. A\u015fa\u011f\u0131daki gibi dinamik kapaklar\u0131 hareketi, cesur renkleri ve tipografiyi vurgulayarak v\u00fccudun hem moda hem de g\u00fczel sanatlar ba\u011flam\u0131nda nas\u0131l sunuldu\u011funu etkiledi.<\/p>\n

\"1960'larda

Peter Knapp'tan *Elle* i\u00e7in kapak<\/p><\/div>\n

Sonu\u00e7: Sanat ve Ticaretin Kal\u0131c\u0131 Birle\u015fimi<\/h2>\n

Bu d\u00f6nemin foto\u011fraf\u00e7\u0131lar\u0131 sadece foto\u011fraf \u00e7ekmekten fazlas\u0131n\u0131 yapt\u0131lar; k\u00fclt\u00fcr\u00fc \u015fekillendirdiler. Ana ak\u0131m dergilere k\u0131\u015fk\u0131rt\u0131c\u0131, sanatsal n\u00fc foto\u011fraflar yerle\u015ftirerek, cinsel devrimi hem yans\u0131tt\u0131lar hem de k\u00f6r\u00fcklediler, y\u00fczle\u015ftirici ve cinsel a\u00e7\u0131dan \u00f6zg\u00fcrle\u015ftirilmi\u015f g\u00f6r\u00fcnt\u00fcleri g\u00fcnl\u00fck ya\u015fam\u0131n bir par\u00e7as\u0131 haline getirdiler. Kal\u0131c\u0131 etkileri, sanat ve ticaret aras\u0131ndaki \u00e7izgilerin kesin ve kal\u0131c\u0131 bir \u015fekilde bulan\u0131kla\u015fmas\u0131 oldu. Arzunun pazarlanabilir oldu\u011funu ve \u00e7\u0131plak bedenin reklam ve medyada nihai ara\u00e7 olabilece\u011fini kan\u0131tlad\u0131lar. Cinselli\u011fe ve insan formuna y\u00f6nelik bu cesur, \u00f6z\u00fcr dilemeyen yakla\u015f\u0131m, sonraki on y\u0131llar\u0131n feminist ele\u015ftirileri ve kimlik politikalar\u0131 i\u00e7in zemin haz\u0131rlayan yeni bir g\u00f6rsel dil yaratt\u0131 ve bug\u00fcn moda ve sanata h\u00fckmetmeye devam ediyor.<\/p>\n

\n

Sanat\u00e7\u0131n\u0131n Bak\u0131\u015f A\u00e7\u0131s\u0131:<\/strong> Bu d\u00f6nemin etkisi, moda ve g\u00fczel sanatlar\u0131n kesi\u015fimini ke\u015ffetmeye devam eden \u00e7a\u011fda\u015f sanat\u00e7\u0131lar\u0131n \u00e7al\u0131\u015fmalar\u0131nda g\u00f6r\u00fclebilir. Koleksiyonerler ve merakl\u0131lar\u0131 i\u00e7in, \u00f6d\u00fcll\u00fc n\u00fc sanat foto\u011fraf\u00e7\u0131s\u0131n\u0131n s\u0131n\u0131rl\u0131 say\u0131da \u00fcretilen eserleri Burak Bulut Y\u0131ld\u0131r\u0131m<\/strong> gibi sayg\u0131n platformlarda mevcuttur. Saatchi Sanat<\/a><\/strong> ve Artsper<\/a><\/strong>. \u00c7a\u011fda\u015f projelerinden olu\u015fan portf\u00f6y\u00fcn\u00fcn tamam\u0131n\u0131 \u015fu adresten inceleyebilirsiniz burakbulut.org<\/a><\/strong>.<\/p>\n

Y\u0131ld\u0131r\u0131m ayr\u0131ca on y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcredir uzmanl\u0131\u011f\u0131n\u0131 Berlin'de n\u00fc sanat foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 at\u00f6lyeleri<\/strong>. Bu at\u00f6lyeler, foto\u011fraf\u00e7\u0131lara kendi \u00f6zg\u00fcn tarzlar\u0131n\u0131 geli\u015ftirirken 1950-1970'lerin b\u00fcy\u00fck yenilik\u00e7ilerinden ilham alma f\u0131rsat\u0131 sunuyor. Yakla\u015fan at\u00f6lyeler hakk\u0131nda daha fazla bilgi edinmek veya i\u015fbirliklerini g\u00f6r\u00fc\u015fmek i\u00e7in bizimle Instagram \u00fczerinden ba\u011flant\u0131 kurun veya e-posta g\u00f6nderin hello@nudeartworkshops.com<\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-2"],"_links":{"self":[{"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/posts\/4546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/comments?post=4546"}],"version-history":[{"count":4,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/posts\/4546\/revisions"}],"predecessor-version":[{"id":20395,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/posts\/4546\/revisions\/20395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/media\/4676"}],"wp:attachment":[{"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/media?parent=4546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/categories?post=4546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nudeartworkshops.com\/tr\/wp-json\/wp\/v2\/tags?post=4546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}